Score only
1 Full Score - 2 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 4 Flugelhorn I - 4 Flugelhorn II - 4 Flugelhorn III - 1 Cornet Eb - 2 Trumpet I - 2 Trumpet II - 2 Trumpet III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone C - 2 Baritone Bb (BC) - 2 Baritone Bb (TC) - 2 Baritone II C - 2 Baritone II Bb (BC) - 2 Baritone II Bb (TC) - 2 Euphonium C - 2 Euphonium Bb (BC) - 2 Euphonium Bb (TC) - 1 Euphonium II C - 1 Euphonium II Bb (BC) - 1 Euphonium II Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 1 Percussion - 1 Drums - 1 Mallets - 1 Timpani
Marc Jeanbourquin composed 'Spiral' during a music camp, for himself and 9 other fellow musicians. Due to the success of this piece, some years later, he has taken the main theme and developed it, with a kind of tribute to Camille Saint-Saens, one of his favourite composers. The constant changes between the minor and major keys, and between the often changing 2 and 3 feeling, with the occasional 2/4 bar thrown in, do not disrupt the flow of the piece in the slightest; in fact it is what has inspired the title. A percussion interlude, which is broken up by the unregularly occurring meter, brings the piece to a restatement of the original theme, which then ends in a large crescendo. Spiral is perfectly suited to either the opening or the close of any concert.
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