Gluck in the 19th-Century Parisian Imagination
The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. This book asks how thestage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide rangeof musical and literary environments.
Dla kraju Na świecie istnieje osobna strona internetowa Stretta. Jeśli zamówienie ma być dostarczone do tego kraju, możesz przejść na tę stronę, aby czasy dostawy i warunki wysyłki były wyświetlane prawidłowo. Twój koszyk i konto klienta pozostaną takie same po zmianie.