Pomp and Circumstance no. 2

0 Full Score A3 - 1 Full Score - 2 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 4 Flugelhorn I - 4 Flugelhorn II - 4 Flugelhorn III - 2 Trumpet I - 2 Trumpet II - 2 Trumpet III - 2 Trumpet IV - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 1 Trombone IV C - 1 Trombone IV Bb (TC) - 1 Trombone IV Bb (BC) - 2 Baritone C - 2 Baritone Bb (BC) - 2 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 2 Tuba C - 2 Percussion I - 2 Percussion II - 1 Percussion III - 1 Glockenspiel - 1 Timpani

Sir Elgar wrote his Pomp and Circumstance March no. 2 in 1901 and it was dedicated to fellow composer Granville Bantock. This second march is less well known than the first, but not because it is any less of a work. After a loud proclaim for attention by the brass, comes a beautiful stacatto theme, which is gradually built up by the addition of instruments, advancing towards the Trio. The Trio in a major key contains a simple melody in thirds in the winds, which is later developed in the brass. The work closes with a short but strong Coda